Helen Frankenthaler: Drawing within Nature
Publisher: Gagosian/Rizzoli
Measurements: 11x12.8 in
Condition: New
Format: Hardcover
Helen Frankenthaler (1928–2011) has long been renowned as one of the most significant American artists of the twentieth century. Helen Frankenthaler: Drawing within Nature presents an exhibition of Frankenthaler’s magnificent paintings from the early to mid-1990s, many revealed in New York for the first time.
This title spotlights Frankenthaler’s canvas paintings where she experimented with different mediums and new techniques, creating thickly impasto finishes that redefine our interpretation of her work.
A new essay by Thomas Crow analyzes these paintings in the context of the diverse environments in which Frankenthaler resided and worked, from Santa Fe, New Mexico, to her beach home and studio in Stamford, Connecticut.
Publisher: Gagosian/Rizzoli
Measurements: 11x12.8 in
Condition: New
Format: Hardcover
Helen Frankenthaler (1928–2011) has long been renowned as one of the most significant American artists of the twentieth century. Helen Frankenthaler: Drawing within Nature presents an exhibition of Frankenthaler’s magnificent paintings from the early to mid-1990s, many revealed in New York for the first time.
This title spotlights Frankenthaler’s canvas paintings where she experimented with different mediums and new techniques, creating thickly impasto finishes that redefine our interpretation of her work.
A new essay by Thomas Crow analyzes these paintings in the context of the diverse environments in which Frankenthaler resided and worked, from Santa Fe, New Mexico, to her beach home and studio in Stamford, Connecticut.
Publisher: Gagosian/Rizzoli
Measurements: 11x12.8 in
Condition: New
Format: Hardcover
Helen Frankenthaler (1928–2011) has long been renowned as one of the most significant American artists of the twentieth century. Helen Frankenthaler: Drawing within Nature presents an exhibition of Frankenthaler’s magnificent paintings from the early to mid-1990s, many revealed in New York for the first time.
This title spotlights Frankenthaler’s canvas paintings where she experimented with different mediums and new techniques, creating thickly impasto finishes that redefine our interpretation of her work.
A new essay by Thomas Crow analyzes these paintings in the context of the diverse environments in which Frankenthaler resided and worked, from Santa Fe, New Mexico, to her beach home and studio in Stamford, Connecticut.